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BULL
STREET
– The art of the Con
Hans
van Meegeren
Elmyr de Hory was not one of kind because he was
exceptionally talented at copying the works of other. Artists in the business
of trying to defraud art buyers are a dime a dozen, however, he was one of kind
because more of his works are probably out there, than any of his contemporizes
and certainly number in the hundreds. Part of the story of his success is based
on the fact that he would only use old canvases, old frames and old paper. He
went to tremendous trouble to find the oldest materials available, while many
of the more recent forgers only tried to make their painting look old. Some
of de Hory’s original associates still abound, trying to make an illegal buck
selling whatever they can to make an illegal buck. Hans van Meegeren did Vermeer’s
as well as the artist himself did in his heyday. Van Meegeren was caught in
Europe when World War II broke out. During that time, Hermann Goring, the chief
honcho of Hitler’s Air force was assembling an enormous art collection by stealing
works in all the countries that Germany conquered.
However, stealing them was not enough and when Goring
was approached by van Meegeren with what looked to be “Vermeer” he literally
bought it on the spot. After the War, Goring was tried and convicted by the
Nuremburg War Tribunal. Moreover, everyone that had done business with him was
also rounded up and van Meegeren was caught in the trap. He was put on trial
for conspiring with the enemy as well as collaboration because of his Vermeer
sale. The authorities now had the painting in their possession and they had
determined that it was one of the best pictures ever created by Vermeer. Life
was cheap during that time and war criminals were being executed at the “drop
of a hat”. Van Meegeren not knowing what else to do told the inquisitors that
the painting was a forgery and that he had painted it. In order to back of this
apparently preposterous claim, Van Meegeren proceeded to execute another copy
as brilliant as the first right before the court’s eyes. He then claimed that
far from being a conspirator, he was patriot and should have gotten a medal
for being able to swindle Goring the way he did.
Moreover, van Meegeren had the magic touch and could
literally swindle anyone with his magic brush. Just read what art historian
Abraham Bedius said about one of Vermeer forgeries when he first saw it 1937.
“It is a wonderful moment in the life of a lover of art when he finds himself
suddenly confronted with a hitherto unknown paining by a great master, untouched,
on the original canvas, and without any restoration, just as it left the painter’s
studio! Moreover, what a picture! What we have here is a – I am inclined to
say – ‘the masterpiece of Johannes Vermeer of Delft.’” Van Meegeren died in
1947 shortly after the Nuremburg inquisition.
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